This was a tough year. Springsteen died. He lived two years longer than any other dogs we’ve had, to just about 14 ½, but that was hardly enough. And for the first three months of 2023, I became his back legs. To witness his decline, until his front legs went as well, and the good parts of the day could be counted in minutes, was devasting. I will miss him forever.
As for music, there was really only one album that remained on my playlist long after it was released. And it was released in January. So, for me, there is no competition as to the album of the year.
Best Album of 2023:
“Strays” by Margo Price – if you know of Margo from her first two quite countrified records, put those notions aside. “Strays” is a psychedelic rock masterpiece, the sort of album I would have expected from Janis Joplin, had she lived into her thirties. From the opening track “Been to the Mountain” to the last notes of “Landfill,” this is 46 minutes of heart and soul, heartbreak and soul searching with “Lydia” as a subtle gut-punch highlight, a protest song that would have made Woody Guthrie proud. Goddamn, this is a great album. (And if you ever get a chance to see Margo live, do not hesitate for a second. In the year of ERAs, this was the other great tour.)
The other great albums of 2023 in no special order are:
“Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert” – Cat Power – Let face it, this seemed like a disaster waiting to happen, and yet it’s somehow Cat Power pulled it off. It’s brilliant from start to finish, a reinvention of a concert that shook the world. Not deconstructed so much as honored. Earth-shattering.
“Lucky for You” – Bully – Alicia Bognanno hit her stride with her band’s best record to date. A noise-pop record with never a dull moment. Introspective and angry, with guitars that should make anyone still missing Nirvana more than happy.
“Nothing’s Gonna Stand In My Way Again” – Lydia Loveless – My love for Lydia’s voice has long been documented (hell, I wouldn’t have made a documentary about her if she didn’t rock my world). The new album is her best since “Somewhere Else,” a snarky rocking ride through one of the most deliciously demented minds in popular music. Her voice is as strong as ever, and the band is still one of the best playing today. This album was like a long and beautiful handwritten letter from an old friend. I can’t thank her enough for the way if made me feel.
‘Weathervanes” – Jason Isbell and the 400 Unit – I will be the first to admit, I never got Jason Isbell. I always found his records rather, well, wimpy. A few good tracks, but filler that was just that. Mostly boring, but I would always give them a listen. And then he releases “Weathervanes.” I don’t know what happened, but suddenly he grew a pair and delivered an hour of inspired, gutsy rock that brings to mind the best of the Allman Brothers by way of Whiskeytown. Or maybe the other way around.
“Yard” – Slow Pulp – A perfect punk pop record.
“The Land Is Inhospitable and So Are We” – Mitski – Depressingly beautiful.
“Rat Saw God” – Wednesday – Noisy guitars, with a slight cow-punk edge.
Album that would have almost topped last year’s list had I known of its existence:
“American Heartbreak” – Zach Bryan”
Best Reissues:
“Tim – Let It Bleed edition” – The Replacements – They finally got a reissue right. Arguably their best album, sounding somehow even better.
“Misfits & Mistakes: Singles, B-sides & Strays 2007–2023” – Superchunk – The band that keeps on giving. A 4-album collection of songs most bands would kill to have as their best record.
Best Concerts:
Taylor Swift, ERAs Tour, Gillette Stadium, Foxboro, MA – Somehow, someway, this lived up to the hype. I will repeat here what I wrote the morning after the concert:
How do you explain a Taylor Swift concert to someone who’s never been to one? Virtually impossible. I’ve attended between 3000 to 4000 concerts in my life, and that’s a lowball estimate. And there’s nothing I can compare Swift to. Not the Stones, not Paul McCartney & Wings, not Bowie or the Faces in the 70s, not the massive concerts they used to have at Yale Bowl, there’s nothing. Had I seen the Beatles at Shea Stadium, perhaps I’d have a closer comparison. Except the Beatles didn’t play for 3 1/2 hours. And the Beatles audience didn’t have a ratio of 50 women, most of them young, to every one man.
Let’s start with those fans. They were a trip to watch. Stood for the entire show, danced, pumped their fists, scream-sang every word to every song. EVERY WORD. Women should hardness that power, because they would easily control the world, and we’d be better for it. The sheer exuberance brought tears to my eyes on more than one occasion.
And I make the comparison to the Beatles because who else in pop history could have now played a place the size of Gillette Stadium, that’s roughly 70,000 fans, thirteen times. And let’s be honest she could have sold out another ten shows there, and in every city she’s played. NO musician on the planet can match that. Not now, not ever, except maybe…MAYBE…the Beatles. Sure maybe a few today could sell it out once. But they’d be giving away tickets to the second show.
And I know she has haters. But shut your mouth here. Swift is one of the greatest songwriters of the last 50 years. She is an astonishing performer who is a little awkward and funny, and who truly loves her fans as much as they love her. 3 1/2 hours remember…I can name on one hand the number of times I’ve seen someone play for that long, and four of the fingers would belong to Springsteen.
The 45 songs were mostly broken down into eras, thus the tour’s name. A few from RED (including the 10-minute version of ALL TOO WELL), eight from the blissful FOLKLORE, and so on. She played a few songs solo on guitar, one solo on piano, she played with just a few members of her band, she danced with a large group of dancers, she was a little bit of everything for everyone there. Tireless, to say the least…but there was more, something else beyond this boundless energy. Magic, perhaps. A control of 70,000 people like I’ve certainly never witnessed before. A rally unlike no other. Everyone there for a love of music, a feeling of “we’re not alone.”
I was stunned. Moved. Entertained. I felt blessed to be there. And look, I’m not saying this was the greatest concert of my life. Those accolades still belong to the Clash, or early Bowie, or even Jeff Tweedy and Jay Bennett together alone at a small club in Northampton. But it was an amazing concert from one of our greatest singer/songwriters. One I will remember, all too well, until the day I die.
Most Disappointing Album of 2022:
“Luke Bryan” – Luke Bryan – This was as bland and soulless as “American Heartbreak” was brilliant and heartbreaking. A massive WTF!
As for the rest of my 2023:
I’m skipping the Best Films and TV categories, because I can’t say there was anything that truly blew my mind.
As usual, I have a lot of film projects in the works, including the just launched Best Video, the Movie, a love story to cinema and physical media that I’m co-producing with Faith Marek and Kaity Bolding. And a few of my older projects should finally see the light of day, or the darkness of a movie theatre, in 2024.
I thank my wife Kristine, my amazing friends, my kick-ass crew, and our pup Dylan for being there during an otherwise difficult year.
And that’s it. I’ll end as I usually do: be well, hug your dog or cat, raise a drink to the people you love and respect, eat good pizza, drink hot coffee, laugh, rock, play it loud, believe that things will get better…eventually…and be kind to everyone you meet.
Bring on 2024. As far as I’m concerned 2023 can’t end soon enough.