Tag Archives: Husker Du

Every Everything coming to DVD

Just making sure everyone knows that EVERY EVERYTHING: THE MUSIC, LIFE & TIMES OF GRANT HART will be released on DVD on August 12th. The DVD comes with a boatload of extra interviews with Grant Hart on the following 20 topics:

1. 2541
2. analog vs. digital recording
3. bare ass beach
4. funkytown
5. grant on songwriting, part one
6. grant on songwriting, part two
7. hipsters
8. influences
9. joan rivers
10. mpls vs. saint paul
11. music vs. art
12. rose garden
13. the baby song
14. the collage in real time
15. the hüsker dü logo
16. the loss of the record shop
17. the marx brothers
18. uncut tour of his house
19. what was saved from the fire
20. zen arcade

And yes, his hipster rant is as great as you think it might be!

Order your copy HERE

Every Everything POSTER-final-small

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Filed under documentaries, dvd extras, filmmaking, Grant Hart, Husker Du, rockumentary

The poster for EVERY EVERYTHING: the music, life & times of Grant Hart

The poster for EVERY EVERYTHING: the music, life & times of Grant Hart

The poster for EVERY EVERYTHING: the music, life & times of Grant Hart

and the trailer:

please “like” our Facebook page for info on upcoming screenings…

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Filed under bob mould, documentaries, every everything, gorman bechard, Grant Hart, Husker Du

A Masterpiece for a post-Hüsker Dü World

As a disclosure, let me state that I am director of the upcoming Grant Hart documentary EVERY EVERYTHING. But that said, if I didn’t truly love this record I would write nothing at all. As even my closest friends know, if they ask for an opinion from me, I will give it to them truthfully. I’m not one to sugar coat, or ever tell people what they want to hear.

Next, so you know where I stand, I believe these to be indisputable facts:

1. Hüsker Dü and The Replacements are the two most important rock bands of the past 32 years. That every single band that picked up a guitar and rocked post 1987 owes everything to these two bands. They saved rock and roll at a time when even punk had completely lost its edge and become new wave. So that is the regard in which I hold the members of these two bands.

2. Just as the Beatles had two great singer/songwriters in Lennon and McCarthey, Hüsker Dü had Mould and Hart. There is no Hüsker Dü without Grant Hart. He is as important to the band as Mould, and just as good a songwriter. As for their post-Hüsker Dü careers, Hart might not have been as prolific, but he delivered “2541” and “The Main,” which for me are the two best post-breakup songs.

Now, onto The Argument.

The Argument
This is a vast, impressive work. Hardly a collection of pop tunes that you can play on your car’s stereo system and listen to at leisure…at least not at first. In taking on a book most of us could not even get through the Cliff Notes on, Hart has given us a true rock opera, about good vs. evil, about heaven vs. hell, about lust and the snake in the garden. This is a post-punk rock bible, a “Ziggy Stardust and the Spiders from Mars” or “Tommy” for our day. But the first half dozen times through you need to listen. To absorb. To take in the grandeur of what he’s accomplished. And only then you will find the pop songs. The rock songs. The songs to break your heart. Then you will begin to see the scope of “The Argument.” Then you will begin to see the influences Hart wears proudly on his sleeves, from an almost polished version of the noise we came to love as Hüsker Dü fans to nods towards Dylan (“For Those Too High Aspiring” is probably my favorite track, sounding like a lost track Bob Dylan contributed to “Zen Arcade”), the Doors (“Golden Chain”), the Faces (“Shine, Shine, Shine”), Buddy Holly (“Letting Me Out”), doo wop (“So Far From Heaven”), anthem rock (“Glorious,” which would make for a perfect very tongue-in-cheek Christian rock anthem), even a Rudy Vallée ukulele ditty (“Underneath the Apple Tree”), and yes, old Bowie (the brilliant title track). Hart is a walking history-of-music encyclopedia, and that knowledge shines through on every track.

The production is masterful. (The use of the beep from Sputnik on “Is the Sky the Limit” is a stroke of genius.) Hart’s voice is powerful when it needs to be. Frail, almost cracked, when he wants to rip out your heart. The instrumentation is at times a cacophony of blessed noise pop and at other times brisk, clean, clear. There are moments when a track ends and you actually wish for a breather before what will assault you next.

To take on Milton’s “Paradise Lost” might have seemed a fool’s game for most musicians. But Grant Hart isn’t like most musicians. He’s probably one of the smartest men in rock & roll. And while this might have been a glorious gamble that ended badly, he’s hit the jackpot. But no more so than the fans who get to experience this work of art.

Should you buy it? Well, I’ll answer that question with a question: would you go see Van Gogh’s “Starry Night” if it was in a gallery in your town? If the answer is yes. That you would have to see the genius in Van Gogh’s swirls in person and for yourself. Then, yes, buy “The Argument.”  Masterpieces only come around every so often.

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Filed under Grant Hart, Husker Du, new music, punk rock, rock n roll

Trailer for EVERY EVERYTHING, THE MUSIC, LIFE & TIMES OF GRANT HART

I’ll let the trailer do the talking for me…

Now pre-order the DVD (or get some other amazing reward…wouldn’t you want your name on this film as an executive producer)!

Click HERE

 

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Filed under crowd sourcing, crowdfunding, filmmaking, kickstarter, punk rock

A new video promo for our upcoming Grant Hart film

We put together a new promo video for Every Everything, our documentary on Husker Du’s Grant Hart.

We’ve got 11 days to go on the KickStarter project. Please support indie film by pre-ordering that DVD, t-shirt…we have so many great rewards.

But watch the video. It will make you want to see more…

Click HERE

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Filed under documentaries, errol morris, filmmaking, indie rock, rockumentary

Every Everything, the music, life & times of Grant Hart

Very proud to announce the KickStarter campaign for our next documentary: EVERY EVERYTHING, the music, life & times of Grant Hart.

There are a few truly mind-blowing rewards. Check it out. Pass the link on to every Husker Du fan you know. Every indie rock fan you know. Thanks!

The direct URL is: www.EveryEverything.com

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Filed under crowd sourcing, documentaries, filmmaking, Grant Hart, Husker Du, kickstarter

The making of COLOR ME OBSESSED – part 25

COLOR ME OBSESSED was a completely different beast from my last two film. A set of talking heads, over a hundred-twenty appear in the film, all with their own specific set of sound issues. An air conditioning unit we couldn’t shut off, LA street sounds, NYC street sounds, MPLS street sounds (I fucking hate street sounds), refrigerators, hums, buzzing, other bands playing loudly in the arena upstairs, dog tags jingling, interns turning log pages loudly, and one part-time uncredited B-camera person who moved so clunkily, Matt asked if someone was “bouncing golf balls off the window.”

We began, as always, at the first frame and worked forward. Tweaking, no so much those many voices, but those many distracting sounds behind them. Matt would, as he had for both You Are Alone and Friends (With Benefits) make everything sound perfect, all the levels even, etc and so forth.

The sound was halfway decent at best. And I’m not sharing the blame here. I take full responsibility for the sound in the film. And I even apologize in the end credits. But I didn’t want to shoot everyone in a sterile studio setting. That might work for Errol Morris, but it wouldn’t work for me. I wanted backgrounds organic (fuck, I hate that word) to the people being interviewed. If they owned a record shop, they’d be interviewed in their shop. To hell with the trucks zooming past outside on Lyndale. Or Grant Hart from Husker Du being interviewed in the basement dressing room at the 7th Street entry. I mean, could any setting be more perfect? Plus, we didn’t have a sound man. Our trusty mic stand stood in nicely. And many of the musicians we filmed seemed impressed by the quality of our shotgun mic.

And honestly, I might be overstating this a bit. When you see the film you’ll be thinking there’s absolutely nothing wrong with the sound.

And you’re right.
It sounds great!
NOW!
Thanks to Matt Gundy.

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Filed under documentaries, DuArt, minneapolis, mixing, the replacements