Category Archives: paul westerberg

An open letter to my Color Me Obsessed fans

Hello,

I think I can probably qualify as a pretty big Replacements fan. I’ve loved them since about 1983. Have gone to every tour since, including every solo tour. So having watched and listened to Paul and company for that long I find myself not bothered one microscopic bit by this co-called break-up announcement. Why? you might ask. Because it’s the fucking Replacements. They live to fuck with us. That’s part of why we love them. Is there a more sarcastic genius on the planet than Paul? NO, there isn’t. So, my advice: everyone unruffle your panties, sit back, and wait. In the mean time, enjoy the music as you always have, enjoy the onslaught of live videos posted on YouTube, and be patient. What makes for great rock and roll is that you never know what’s going to happen next. And here we are…

Gorman Bechard
director, Color Me Obsessed

CMO-POSTER-FINAL-small

2 Comments

Filed under Color Me Obsessed, paul westerberg, replacements, replacements reunion

Slim Dunlap benefit at Parkway Theatre in MPLS on All Replacements Eve

Two weeks from tonight, on the eve of the national holiday to celebrate The Replacements (and their St. Paul gig)…we’re throwing a benefit for Slim Dunlap at the Parkway Theatre in Minneapolis, featuring a Scott D. Hudson podcast, two sets of Slim and Mats tunes from a bevy of amazing musicians moderated by Jon Clifford, and a completely different version of Color Me Obsessed, edited just for this night.  (I’m calling it “The Editing Room Floor Edition,” and it doesn’t so much tell the story of the Mats but instead is a collection of many smile-inducing tales, many of which never made it into the film.”)

Plus we will be raffling away tons of cool items all night, including a signed copy of Amanda Petrusich amazing new book on record collecting, a gorgeous Erica Bruce Mats still photo, signed CDs from Lydia LovelessMatthew Ryan, and others, a signed copy of Jim Walsh‘s photographic history, a few dozen DVD’s from my distributor MVD, and so so so so much more…(yes, even some of my crap.)

And all profits are going to help cover Slim’s medical expenses. If you’re in the Twin Cities area…well, you know what you have to do! There will be many great surprises. This is the Mats party everyone will be talking about.

Facebook Event: https://www.facebook.com/events/719166908137828/

Tickets here: http://www.brownpapertickets.com/event/841675

Leave a comment

Filed under paul westerberg, replacements, the replacements, Uncategorized

The Best Music & Films of 2010

Best & Worst of 2010

I’ll be the first to admit that because I was making a documentary on The Replacements, I listened to them probably more than all other musicians combined. I rediscovered SORRY MA, FORGOT TO TAKE OUT THE TRASH, hearing things that I had somehow never heard before (perhaps I previously focused a little too much on LET IT BE, TIM, and PLEASED TO MEET ME). And I probably played IF ONLY YOU WERE LONELY more than any other song. If was like an old friend, whispering over my shoulder, giving me encouragement and at times enlightenment.

That said, here are what I believe to be the best albums of 2010, in order:

1. Ryan Bingham and the Dead Horses – JUNKY STAR – If his voice doesn’t get you, the song writing certainly will. (Or at least the dirtiest guitar sound I’ve heard in a few years.) It was as if Steve Earle and Lucinda Williams had a kid, Eric Bachman was his older brother, and Paul Westerberg his obnoxious uncle. If that description doesn’t have you opening another browser window to order this damn thing now, then go and listen to HALLELUJAH (No, not the one we’d heard a million times over, another HALLELUJAH). I’ve given this album to a good half dozen people. The first word out of their mouths after one listen: “Hallelujah.” Then something like “wow.” Yeah, “wow,” says it best. This is a fucking great record, without a flaw.

2. Joanna Newsom – HAVE ONE ON ME – A three cd set that really defies description and begs to be heard from start to finish. A modern folk opera. Brilliant, certainly not for everyone, but if you give it a chance.

3. The Whigs – IN THE DARK – My favorite straight out rock album of the year. The closest thing I could find in the purest spirit of the Mats (that was actually worth listening to). KILL ME CAROLYNE is hands down my favorite song of the year.

4. Superchunk – MAJESTY SHREDDING – Shame on Mac and company for making us wait this long for another release, but one of the two best bands of the 90s (you know the Archers of Loaf was the other), returns to solid form with a record that sounds as if it could have been released in their heyday. LEARNED TO SURF is as good as rock gets in this decade.

5. Frightened Rabbit – THE WINTER OF MIXED DRINKS – An album of rousing anthems about drinking and screwing and all the things rock songs should be about. It’s one of those albums that just kept getting better on every listen. And that they can pull off the songs live was an eye-opener.

6. Ida Maria – KATLA – Last year she topped the list EASILY. And while this is nowhere the masterpiece of FORTRESS ROUND MY HEART, the gal from Norway nonetheless delivers 9 sucker punches. For anyone who thinks girls stopped rocking with Bikini Kill, give her a listen. Her lyrics are funny, sexy and the growl will make you weak in the knees.

7. Spoon – TRANSFERENCE – After writing these guys off because of their hideously lame GA GA GA cd from a few years back, Spoon returned to what they do best: catchy rock songs with good guitar licks. I know a bunch of people who wrote off this band after GA, take a chance and revisit them. While not as spectacular as GIRLS CAN TELL or KILL THE MOONLIGHT, still in a year of limp-doodle rock, it was damn refreshing.

8. Titus Andronicus – MONITOR – A concept album that may or may not be about the civil war. But who cares. It’s a rowdy collection of tunes that owe a lot to the spirit of The Replacements, and I can’t give a band higher praise.

9. The Gaslight Anthem – AMERICAN SLANG – Likewise Brian Fallon and company owe a bunch to the spirit of the Mats…with a little Springsteen tossed in. A solid rock album, a perfect summer driving record. Leading to…

10. Bruce Springsteen – THE PROMISE – outtakes from his best rock album (I’ll probably still take NEBRASKA over DARKNESS), his “punk” album if you will, are the sort of songs most rocker would die to write. Sure, it’s like reliving a time when rock music was exciting and vibrant, and it shook our worlds. Hmmm…because of that perhaps this should be in the number one slot.

The best songs of 2010 (in no particular order):
KILL ME CAROLYNE – The Whigs
CLEMENTINE – Sarah Jaffe
HURRICANE J – The Hold Steady
HALLELUJAH – Ryan Bingham and the Dead Horses
LANTERN – Josh Ritter
PRECIOUS STONE – Pete Yorn
THE LONELINESS AND THE SCREAM – Frightened Rabbit
ANYBODY LOOKING FOR GOD – Grandpaboy

The most disappointing album:
THE SUBURBS – Arcade Fire – After the brilliance of NEON BIBLE my expectations were damn high. And at first listen I loved everything about this record. But by the fourth or fifth go around I was getting bored. And within a week it was removed from my playlist. I’ve never gone back. Have never even wanted to. Maybe it’s me.

MOVIES

Best Documentary: EXIT THROUGH THE GIFT SHOP (WAS IT REAL? Who cares? It was entertaining as hell, and Banksy proved himself one of the art geniuses of modern times.)

Best Film: THE TOWN (Riveting, edge-of-your-seat drama from Ben Affleck. BEN AFFLECK! A rare gem in which you find yourself rooting for the bad guys. Rebecca Hall is heartbreakingly great.)

Most Enjoyable Film of 2010:
KICK-ASS (a movie that proved a beautifully foul-mouth 12-year-old girl could quite possibly be the greatest movie super hero of all time)

Guilty Pleasure Film of 2010:
CHLOE (two words: Amanda Seyfried)

Runners Up (In no particular order):
WINTER’S BONE
THE SOCIAL NETWORK
THE GIRL WHO PLAYED WITH FIRE

Worst Film of 2010
SOMEWHERE (I truly loved Sofia Coppola’s LOST IN TRANSLATION. But I don’t know what happened here. I kept waiting for something to happen. Kept waiting to feel something for any of these characters. Still waiting. So utterly boring.)

That’s my list. It’s subject to change. Having spent most of the year filming and editing, I certainly didn’t get to see everything. I’ll update it as I do…

To a rockin’ Replacements New Year!

Leave a comment

Filed under best albums of 2010, best movies, best music, best of, best of 2010, Color Me Obsessed, documentaries, exit through the gift shop, filmmaking, friends with benefits, gorman bechard, independent film, joanna newsom, kick-ass, paul westerberg, rock n roll, ryan bingham, springsteen, the replacements

The making of COLOR ME OBSESSED – part 12

We interviewed Dave Minehan in his Wooly Mammoth Sound Studio. Not only had his band The Neighborhoods opened for The Replacements (and the Clash) way back in the day, Dave had played guitar on the first Paul Westerberg solo tour. So he was well-versed in Mats history. His stories were varied and funny. He not only loved the band (He “drank the Kool-Aid,” as he put it), he loved their every album. A rarity. In fact one of my favorite quotes in the film is his comment about Don’t Tell A Soul. (Of course, you’ll have to wait to see the film to know what it is.)

As I had long ago decided that Color Me Obsessed would cover The Replacements from when that first demo tape went from Paul’s to Peter Jesperson’s hands, through to their breakup at Grant Park on July 1st, 1991, my biggest predicament with Minehan came when he recalled an amazing tale about touring with Paul in London and running into Joe Strummer at an outdoor flea market. Luckily, we have a lot of knobs on that old answering machine on the CMO website. Click the volume control and you can hear the story.

If I wasn’t sure after interviewing Jack Rabid, that I indeed did have a movie here. Dave cemented it. We talked for over 90 minutes, and I left feeling that I had found my musical twin. The guy’s got great tastes in bands!

Leave a comment

Filed under alternative rock, Color Me Obsessed, directing, documentaries, filmmaking, friends with benefits, gorman bechard, jack rabid, joe strummer, low budget films, paul westerberg, replacements, rock n roll, rockumentary, the clash, the replacements

The making of COLOR ME OBSESSED – part 11

Over the holidays last year, two old friends joined the production team: Dean Falcone, whom I’ve known for about three decades, and who co-wrote the score for FRIENDS (WITH BENEFITS), and Ed Valauskas, whom I first met when he played bass so many eons ago in amazing band Gravel Pit. Both have countless connections in the music industry. They would get us to many of the rockers who would so make this film work.

Our second day of filming interviews for COLOR ME OBSESSED was actually set up by Ed. Wednesday, January 27, 2010. Heading north this time, up to Boston. Five interviews in all, three of them taking place at the Q Division Studios. (Thank you very much!)

Only Adrian and I would make trip up. It being a weekday, Jim needed to work. It would actually be just Adrian and myself for a while, or at least until Sarah said, “I want to learn about video.”

The first interview would take place at 11 AM…so we hit the road at 7:30, just in case there was traffic or construction in and around Boston. (Like that could ever happen.)

First up: George Skaubitis, who worked radio promotions for Warner Brothers. George was very quiet and subdued, but he gave me one amazing quote, part of which you can see in the second trailer right here, calling the band a “glorious mess.” It was a short interview, but I’ll always take quality over quantity.

Next up was Dave Minehan of The Neighborhoods…

Leave a comment

Filed under alternative rock, Color Me Obsessed, directing, documentaries, film festivals, filmmaking, friends with benefits, gorman bechard, independent film, indie, low budget films, low budget movies, minneapolis, paul westerberg, punk rock, replacements, rock n roll, rockumentary, sarah hajtol, the replacements

The making of COLOR ME OBSESSED – part 10

(It’s been a week…sorry about that, besides being on the road, I had to create an M&E for Friends With Benefits. That’s a music and effects track for foreign sales, which will allow for dubbing. But since most all of our sound was recorded live, all of the effects are surrounded by dialog. It basically meant I had to go in and pull or re-create every sound in the film, i.e. when Shirley puts a glass down on the bar, we need to hear the glass touching the bar, and not whatever Shirley might be saying. Tedious, so say the least. It was sort of like having your away-at-college kid show up unexpectedly for a weekend visit, and damn if you hadn’t turned their room into a music room, or screening room, or whatever your pleasure. Unexpected, but still you realized it was nice to see the brat.)

Ok…time to get sidetracked, as I was just in Cleveland for a few last minute cmo interviews and I finally had the opportunity to visit the rock n roll hall of fame, and ok, look, the Springsteen section was amazing, to see his old Tele (the one from the cover of Born To Run) was like seeing Van Gogh’s Starry Night for the first time. Goddamn, did I want to touch it. The blacken neck gave me goosebumps. Every crack in the body’s finish seemed to bleed rock and roll. In my opinion it’s the most important guitar of all time. And I feel honored to have stood in its presence.

And look, sure it’s a gorgeous building, right on the lake, etc., and so forth…but we’ve all seen museums before. This one is supposed to be special! But aside from the Springsteen exhibit, which was inspiring (and the Bowie and Les Paul’s original electric displays as well), I was left wanting more. A LOT MORE. And y’know why? The punk section was closed because of remodeling, so no Clash, no Costello, no Sex Pistols, NO REPLACEMENTS, and yet I would still see shit like Steven Tyler’s or Stevie Nicks’ stage costumes, and countless FM radio crap, that all fell into the same genre. I’m sure that whomever creamed over the Lynyrd Skynyrd display likewise gushed over the ZZ Top. They were covered. But to put the most important movement in rock on the back burner because of remodeling. Fuck! Kill the goddamn Doors display. Or does anyone really care about Pink Floyd’s The Wall? Obviously, the powers that be at the Hall of Fame are as biased as the reporters on Fox News. And as always, the smart minority gets fucked. (Really now, you couldn’t have found room for even a hint of punk? Shame on you!)

Supposedly the remodeling will be complete in 2012, so anyone thinking of visiting should wait.

Ultimately was as the Hall of Fame disappointing? Yes. But would I go back? Sure, I’d give it one more chance to get it right.

Leave a comment

Filed under alternative rock, directing, documentaries, filmmaking, friends with benefits, gorman bechard, independent film, indie, low budget films, low budget movies, paul westerberg, punk, punk rock, replacements, rock and roll hall of fame, rock n roll, rockumentary, springsteen, the replacements

The making of COLOR ME OBSESSED – part 8

Now I had tried indiegogo.com before for another project. It’s a place where you put your project online, and seek backers. NOT investors. Backers. People who donate money to your film in return for a dvd, a poster, an associate producer credit, a day on set, a role as an extra, anything you can think of really. But unlike investors, they do not own any part of your finished film. They own no part of the profits. They will never be paid back. And likewise you do not have to register with state banking commissions, you do not need a securities lawyer. (Filmmakers, if you’re looking for investors, be careful and check with the laws of individual state. Fines are not fun.) If you can find people who believe in your project this is very much the way to go. But to be honest, I had no luck with indiegogo, and I think most people who tried them at the start were in the same boat. Checking their site now, they seem to have completely changed format, basically copying the much more successful KickStarter.com.

When I first put up COLOR ME OBSESSED on KickStarter back in October 2009, it was mostly an exclusive club. You needed either an invite from one of the people who had projects on the site, or from one of the site’s founders. So I sent said founders an email, explaining who I was, and what I was making, and within a few days received an invite to make CMO a KickStarter project.

You can see the original CMO KickStarter page here, including the listing of what I was offering backers at what price. As you can see it proved tremendously successful. And I knew that when time came to find Mats fans outside of the tri-state area in which I resided, I be able to pack up my crew and go.

As an aside, I can’t say enough great things about KickStater. Everything about it is professional, well thought out, and easy to use. They truly have some amazing projects, and have helped many artists like myself achieve goals which might have otherwise been out of reach. KickStarter rocks!

1 Comment

Filed under alternative rock, directing, director's commentary, film commission, film festivals, filmmaking, independent film, indie, indiegogo, kickstarter, low budget films, low budget movies, minneapolis, movie, movies, new haven, paul westerberg, punk, punk rock, rock n roll, rockumentary, the replacements