The making of COLOR ME OBSESSED – part 7

Somehow almost a year went by, as I needed to finish up the tax credit paperwork (don’t get me started) for FRIENDS (WITH BENEFITS), complete the film, do the sound mix, begin submitting to film festivals, then actually hit the road on the festival circuit. (I could blog about that, but instead watch the amazing indie film OFFICIAL REJECTION, and you’ll learn more than you will ever need to know about film festivals.)

But in August 2009 I posted an ad on Craigslist stating that I was looking for a co-producer. I got one worthwhile response from Jim Leftwich, who not only wanted to learn about production but was a huge fan of The Replacements. We sat down over pizza at Pepe’s and hashed it out. Jim would work the East Coast interview schedule.

I believe Adrian Correia, my cinematographer on FRIENDS (WITH BENEFITS) had always been on board. I had been turning Adrian on to new bands since hiring him to shoot that last film. Despite no up-front pay, Adrian jumped at the chance to work on CMO.

Sarah, Jan, Jim, Adrian…that was my crew at the start. It would change as we moved along…but for now, everything clicked.

And…yes, no up-front pay. Everyone including myself would own a chunk of the back end. If the film did well, we all did well. I did not want to spent months (or more) looking for investors. I didn’t want to do all this work on another film, and then when it finally sold not see a dime. And luckily a new web startup would help me achieve that goal.

Advertisements

The making of COLOR ME OBSESSED – part 6

I knew I would need help in the making of this film, specifically in finding the right people to interview, and arranging what would hopefully be a grueling schedule. A good but small and dedicated crew would be essential. Finding the right crew who could understand and would support my vision.

I started with a poster, as having an image, then getting a website up quickly, is more important than I could possibly explain in a short blog entry. It’s like this: if you don’t have a site, you don’t exist. So as soon as I began talking with Hansi, I turned to Sarah Hajtol who designed my FRIENDS (WITH BENEFITS) poster. Not only was she interested, but she asked if she could design the CMO website as part of her thesis. She didn’t have to ask twice.

Then during the summer of 2008 (August 21st, to be precise), I contacted an old friend, Jan Radder. At the age of 15, Jan worked as a production assistant on my film PSYCHOS IN LOVE. You can read his account of that gig on his blog (and hopefully one day in full detail in his memoir). Many years back, Jan moved to Minneapolis, but we’ve always stayed in touch, having music as a common bond. At first I asked him simply to get a photo of the Let It Be house that Sarah might manipulate for the poster.

That poster idea didn’t work, but within a month I wrote: “I want to talk to you as well, as I feel you have a lot to offer on this, if you want to come on board in a co-producer fashion.”

To which Jan replied: “Wow. I’d totally be interested. Let me know what you’re thinking.”

Little did I realize at this point just how important Jan and Sarah would become to the film…