The making of COLOR ME OBSESSED – part 24

In 2009, different film, FRIENDS (WITH BENEFITS), much better sound, but a new set of problems (music, music, more music, creating crowds sounds out of nothing, and leveling out the rapid fire dialog of six characters talking over each other in a bar). But still, the outcome was the same. Four days of mixing. Brilliant results.

I went home on that Monday after dropping off the drive. Took many deep breaths. Tried to relax. This was it. There were no more changes. No more interviews. No graphics, title cards. This was the final version of the film I would present to the world.

I felt sad, in a way. The people in the film become your friends, your playmates, during the editing process. And they are just like friends, they can make us laugh, cry. They can annoy the piss out of you. Or give you goosebumps when they hand you exactly what you need, often times when you didn’t even know you needed it. That’s a great friend.

But that was over. On Tuesday very early morning, I’d make another trek to NYC, this time staying through to the end of the week. Four days. And now we’d get all technical. The editing was over. The mix was about to begin.

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Filed under directing, DuArt, editing, friends with benefits, mixing, the replacements

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