Diane was one of the first to contact me about this project, shortly after hearing that I’d taken it over. Little did I know at the time she would become our Color Me Obsessed angel, the executive producer that truly rose to the occasion at every opportunity, every chance I gave her. This would be a much different film without Diane’s participation. She became the sort of executive producer every filmmaker dreams of.
After her interview was over, she took us upstairs to her museum in the making, a collection of rare Mats memorabilia unlike I’ve ever seen in one location. Posters, tickets (she had a ticket for their SNL appearance!), vinyl, and even a test pressing. It was the collection the rock hall of fame should have, but doesn’t.
Next up, Ira Robbins, founder of the legendary Trouser Press. Now for those of you not rocking out in the late 70s, TP was the indie rock alternative to Rolling Stone. It was sort of the Pitchfork of its day. (Ira, please don’t hate that comparison, I mean it as a compliment.) The interview was brilliant. Here we had one of the most respected rock journalist of all time approaching the Mats from a historical perspective. Why they mattered. What made them different. What made them great.
As I once again said to Adrian one the drive home, “we have a movie!”