The making of COLOR ME OBSESSED – part 5

The last interview of that first day was with Randy Ellis, down at a great old record shop, The Record Collector Store, in Bordentown , NJ. Randy booked the infamous City Gardens in Trenton, NJ. And one show in particular, known on bootlegs as The Late Bob Show, would eventually play a small but entertaining role in the film, as people came forward with very different, very funny, stories about what happened that night.

We conducted three interviews that first day, Saturday, November 21, 2009. Me, cinematographer Adrian Correia, and co-producer Jim Leftwich in my Jeep Liberty. We used a Canon XHA1 as our A-camera, and a Canon HV-20 as our B-camera, everything a two camera shoot, giving me the option to trim a story when necessary. The microphone was an Audio-Technica AT897, on a stand with boom, cabled directly into the XHA1, which itself was on a set of Manfrotto sticks. Adrian hand-held B-cam. Jim took notes. I asked the questions.

Then after what had to be a 12 hour day of shooting and driving, we headed back through the worst traffic I’d ever seen on the Jersey Turnpike. But it didn’t matter. I was already beginning to edit the film in my head.

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Filed under alternative rock, directing, documentaries, filmmaking, gorman bechard, independent film, indie, low budget films, low budget movies, minneapolis, movies, paul westerberg, punk, punk rock, replacements, rockumentary

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